Aboriginal sculpture from Utopia (Northern Territory, Australia), created circa 1996, this monoxyle work is part of the continuum of contemporary artistic practices of the Anmatyerre and Alyawarre communities. Carved from a single piece of wood, it evokes the stylized form of a bird, a figure frequently associated with Dreamtime stories and spiritual connections to the land.

The surface is covered with acrylic dot painting, an emblematic technique of the Central Desert art movement. Set against a vibrant pink background, the body is animated with green dots, each surrounded by delicate yellow and red dots, creating a dense and dynamic visual rhythm. The beak and legs, painted in light blue, provide a luminous contrast that highlights the silhouette and balances the composition.

Blending tradition and contemporary expression, this sculpture reflects the artistic vitality of Utopia in the 1990s, a period marked by growing international recognition of Aboriginal artists and the affirmation of a pictorial language that is both culturally grounded and distinctly modern.