Medium: Acrylic on canvas
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Here she describes an ancestral woman giving birth at a mythological watering hole.
Ningura's palette is limited to black, white and red ochre, the symbol of the female blood spilled during childbirth; it testifies to the profoundly vitalist character of the artist's inspiration, who, by celebrating the birth of a child, also pays homage to the continuous creation that is the Dreamtime and thus contributes to its permanence.
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Some references:
Musée du Quai Branly, Musée des Confluences à Lyon, Musée d'Art Contemporain les Abattoirs à Toulouse, Musée des Arts d’Afrique et d’Asie de Vichy,
Musée de la Musique, Museum d'histoire naturelle de Lille, Musée de Rochefort, Fondation Electricité de France,
Fondation Colas, Banque Dexia ...
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