ARTIST OF THE MONTH 2008
October - November - December 2008
Kim WESTCOTT (born 1968)

Working exclusively in the medium of drypoint, Master Printmaker KIM WESTCOTT records the intimate scribblings of nature. She responds to the abstract notations of the primal Australian landscape formed by environmental extremes and vulnerability in locations as diverse as the Central Desert, the Southern coastline and the Great Dividing Range; an ancient and craggy mountain barrier near where the artist has lived since 2001.

Kim Westcott grinds, gouges and scratches into large-scale copper plates, pushing the boundaries of conventional print practice. Often she uses industrial power tools to create the flourishes and marks that she seeks. She is awake to the visual possibilities and lyrical dynamism of this process and exploits the burred edges created on lines and dots. This intuitive way of working extends to the inking techniques and direct printing of the single or multiple plates.

Kim Westcott's relationship with the landscape is innate and spiritual and is revealed in the uniqueness and beauty of her works which are held in major Australian and international collections.

September 2008

Swamp around Nyruppi (détail)

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Ngoia Pollard NAPALTJARRI (born about 1950)

 

May - June - July 2008
Kingdom of bark paintings:
Yirrkala, Maningrida, Elcho Island

(Arnhem Land)


 

April 2008
Sam TJAMPITJIN (born about 1930)

 

January / February / March 2008
Dorothy NAPANGARDI (born 1956)

Dorothy's paintings are highly sought after by both collectors and curators worldwide. In 1991 she won the Best Painting in European Media, 8th National Aboriginal Art Award; in 1998 the Northern Territory Art Award; and she was "Highly Commended" for the 16th National Aboriginal and Torres Strait Islander Award in 1999. In 2001 Dorothy won the 18th National Aboriginal & Torres Strait Islander Art Award ,presented by Telstra, with her spectacular black and white painting titled, "Salt on Mina Mina".

Napangardi's paintings adorn the walls of institutions such as The Australia Council; the Linden Museum in Stuttgart, Germany and the Kelton Foundation in Santa Monica, U.S.A.

Dorothy was first introduced to painting in 1987 by her friend and artist, Eunice Napangardi.She now paints her country, Mina Mina without any traditional iconography from her familial lines, creating her own innovative language to portray her country. Dorothy's paintings are created by an intricate network of lines that collide and implode on top of each other creating a play of tension and expansion, transporting the viewer through a myriad of intersections. Her view is constantly changing: one painting giving an aerial perspective; the next as if she has placed a microscope to the ground. Dorothy now resides in Alice Springs where she paints full time in her own studio at Gallery Gondwana.

ARCHIVES
    Some references:
Musée du Quai Branly, Musée des Confluences à Lyon, Musée d'Art Contemporain les Abattoirs à Toulouse,
Musée de la Musique, Museum d'histoire naturelle de Lille, Musée de Rochefort, Fondation Electricité de France,
Fondation Colas, Banque Dexia ...

We are members of the Chambre Nationale des Experts Spécialisés en Objets d'Art et de Collection (C.N.E.S.)*
We are members of the Comité Professionnel des Galeries d'Art
We are signatories of the Indigenous Art Code
We are members of the Association des Galeries Parisiennes
*National French Chamber of experts specialized in artworks